March 25, 2015 1 Comment
I am also finding my hard-drive swelling with illustrations which I cannot yet use in publications. Hopefully, by sharing them here, these historical documents will soon find themselves useful to others. The picture below, which appeared in the Harper’s Weekly (1869), in the eve of the 1870-71 Annexation Treaty with the U.S., illustrates a couple of lines I wrote in my book’s epilogue:
During the second half of the nineteenth century, Samaná shifted in the world’s imagination from a presqu’île with a useful gulf to a bay with a funky peninsula attached to it. This conceptual turn was the work of the Atlantic print culture (blogosphere) becoming progressively fascinated with the Samaná harbor. Foreigners invoked the term “Samaná Bay” even when they had the peninsula in mind, referring to it as an exceptional harbor that shortsighted Dominicans were ready to trade for temporary debt-relief.
The main purpose of this picture was to sell a particular image of Samaná to the public in the United States.
Notice that the view comes from the hill behind to the little town of Santa Barara of Samaná, and that the little cozy harbor lacks the walking bridge that today connects the islets. Like with any conqueror’s depiction, the purpose is not to highlight the human element, but to bring attention to natural resources. The obvious fertility is to show potential U.S. investors and speculators that their crops would yield good returns. The little harbor here appears larger than what it really was (since then, it has been prepared for larger ships). The message was that it would welcome all types of ships. The people’s houses (or huts) are almost invisible because the fewer the better: more space for new buildings and northern settlers wanting to exploit the region’s natural resources.